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Top Western Filme

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Butch Cassidy und Sundance Kid (), Mio. US-Dollar. Das war der Wilde Westen (), Mio. US-Dollar. Der mit dem Wolf tanzt (), Mio. US-Dollar. Maverick (), Mio. Erbarmungslos (), Mio.

Top Western Filme

Auch wenn er vielleicht nicht der beste Film der Coen-Brüder ist, so ist True Grit trotzdem ein fantastischer Western, der vor allem mit einem Top-. Actionfilm von Quentin Tarantino mit Jamie Foxx und Christoph Waltz. In Quentin Tarantinos Western Django Unchained befreit Christoph Waltz den Sklaven. Das war der Wilde Westen (), Mio. US-Dollar.

Top Western Filme Video

Top 10 Western Movie Cowboys

Top Western Filme „Zwölf Uhr Mittags“ (1952, Regie: Fred Zinnemann)

Ein memorabler Moment jagt den nächsten. The Salvation - Spur der Vergeltung - Ist der Artikel hilfreich? In dem abgelegenen Dorf San Miguel in New Vpnbook Proxy werden die Einwohner von zwei rivalisierenden Gangsterfamilien, den angloamerikanischen Baxters und den mexikanischen Rojos, terrorisiert. Herausgekommen ist Restaurant Seebach der dreckigsten und pessimistischsten Western, die die Filmwelt bis heute gesehen hat, der auch inhaltlich einiges zu bieten hat. Immer wieder tot gesagt und doch nicht tot Aufgaben Eines Moderators kriegen. True Grit war ein kleines Revival des Western-Films. Die French Auf Deutsch Jagd -

Critics Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.

Critics Consensus: It might be a bit too eager to tug the heartstrings, but The Horse Whisperer is typically graceful, well-crafted Redford -- on both sides of the camera.

Directed By: Robert Redford. Critics Consensus: Aided by its spare setting and committed performances, The Keeping Room is just fascinatingly off-kilter enough to overcome its frustrating stumbles.

Directed By: Daniel Barber. Critics Consensus: In a Valley of Violence offers a smartly conceived homage to classic Westerns that transcends pastiche with absurdist humor and a terrific cast.

Directed By: Ti West. Critics Consensus: Boasting rich detail and well-told story, Silverado is a rare example of an '80s Hollywood Western done right.

Directed By: Lawrence Kasdan. Critics Consensus: No consensus yet. Directed By: Jared Moshe. Directed By: King Vidor. Critics Consensus: Though its attempts to rework genre conventions may fall flat with some, Red Hill is a beautifully shot, tightly paced thriller that marks a strong debut for director Patrick Hughes.

Lewis , Claire van der Boom. Directed By: Patrick Hughes. Critics Consensus: Hostiles benefits from stunning visuals and a solid central performance from Christian Bale, both of which help elevate its uneven story.

Directed By: Scott Cooper. Critics Consensus: A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.

Directed By: Ed Harris. Critics Consensus: On the strength of its two lead performances Assassination is an expertly crafted period piece, and an insightful look at one of the enduring figures of American lore.

Directed By: Andrew Dominik. Critics Consensus: Back to the Future Part III draws the trilogy to a satisfying close with a simpler, sweeter round of time-travel antics.

Starring: Michael J. Directed By: Robert Zemeckis. Critics Consensus: If you're seeking a stylish modern western with a solid story and a well-chosen ensemble cast, Tombstone is your huckleberry.

Directed By: George P. Critics Consensus: Imperfect yet intriguing, The Wind offers horror fans an admirably ambitious story further distinguished by its fresh perspective and effective scares.

Directed By: Emma Tammi. Critics Consensus: Whilst never taking itself too seriously, this riotous and rollicking Sergio Leone-inspired Korean Western is serious fun.

Directed By: Kim Jee-woon. Directed By: Tom Dey. Directed By: Kevin Costner. Critics Consensus: By turns intoxicating and confounding, El Topo contains the creative multitudes that made writer-director Alejandro Jodorowsky such a singular talent.

Directed By: Alejandro Jodorowsky. Critics Consensus: With its pared down storytelling, The Long Riders delivers with an evocative atmosphere and artful brutality.

Directed By: Walter Hill. Critics Consensus: Its unusual approach won't be for all viewers, but True History of the Kelly Gang takes a distinctively postmodern look at Australia's past.

Directed By: Justin Kurzel. Critics Consensus: A Western that swaps out the Hollywood glamor for shades of moral gray, Hud is a sobering showcase for a sterling ensemble of actors at the top of their respective games.

Directed By: Martin Ritt. Directed By: Tommy Lee Jones. Critics Consensus: Sam Peckinpah tips his hat in mournful salute to the bygone West in this somber showdown, pitting a James Coburn against Kris Kristofferson in a meditative game of cat and mouse.

Directed By: Sam Peckinpah. Critics Consensus: The Hateful Eight offers another well-aimed round from Quentin Tarantino's signature blend of action, humor, and over-the-top violence -- all while demonstrating an even stronger grip on his filmmaking craft.

Starring: Samuel L. Directed By: Quentin Tarantino. Critics Consensus: A grand, sweeping epic with inarguably noble intentions and arresting cinematography, but one whose center, arguably, is not as weighty as it should be.

Critics Consensus: Moving at a contemplative speed unseen in most westerns, Meek's Cutoff is an effective, intense journey of terror and survival in the untamed frontier.

Directed By: Kelly Reichardt. Critics Consensus: Tommy Lee Jones' directorial debut is both a potent western and a powerful morality tale.

Critics Consensus: Brutal, unflinching, and violent, but thought-provoking and with excellent performances, this Australian western is the one of the best examples of the genre to come along in recent times.

Directed By: John Hillcoat. Critics Consensus: With a supremely talented cast and just enough midlife drama to add weight to its wildly silly overtones, City Slickers uses universal themes to earn big laughs.

Directed By: Ron Underwood. Directed By: Ivan Kavanagh. Directed By: Michael Crichton. Directed By: Don Siegel. Critics Consensus: Near Dark is at once a creepy vampire film, a thrilling western, and a poignant family tale, with humor and scares in abundance.

Directed By: Kathryn Bigelow. Directed By: Robert Altman. Critics Consensus: Mystery Road evokes classic Westerns while using its Australian outback setting to delve into a surprisingly layered -- and powerfully impactful -- array of social issues.

Directed By: Ivan Sen. Critics Consensus: The Magnificent Seven transplants Seven Samurai into the Old West with a terrific cast of Hollywood stars -- and without losing any of the story's thematic richness.

Directed By: John Sturges. Critics Consensus: As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges -- and rich rewards.

Critics Consensus: Duck, You Sucker is a saucy helping of spaghetti western, with James Coburn and Rod Steiger's chemistry igniting the screen and Sergio Leone's bravura style on full display.

Directed By: Sergio Leone. Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different.

Directed By: S. Craig Zahler. Directed By: Clint Eastwood. Directed By: William Wellman. Critics Consensus: Nearly a decade after The Outlaw Josey Wales, Clint Eastwood returns as a director to the genre that made his name with this elegant, spiritual Western that riffs on the classic Shane.

Critics Consensus: True Grit rides along on the strength of a lived-in late-period John Wayne performance, adding its own entertaining spin to the oft-adapted source material.

Directed By: Henry Hathaway. Critics Consensus: Made on a shoestring budget, El Mariachi's story is not new.

Directed By: Robert Rodriguez. Critics Consensus: Rango is a smart, giddily creative burst of beautifully animated entertainment, and Johnny Depp gives a colorful vocal performance as a household pet in an unfamiliar world.

Directed By: Gore Verbinski. Critics Consensus: Daring, provocative, and laugh-out-loud funny, Blazing Saddles is a gleefully vulgar spoof of Westerns that marks a high point in Mel Brooks' storied career.

Directed By: Mel Brooks. Critics Consensus: The Sisters Brothers rides familiar genre trails in occasionally unexpected ways - a satisfying journey further elevated by its well-matched leading men.

Starring: John C. Directed By: Jacques Audiard. Critics Consensus: Smart and absorbing, Lone Star represents a career high point for writer-director John Sayles -- and '90s independent cinema in general.

Directed By: John Sayles. Directed By: George Roy Hill. Critics Consensus: This remake of a classic Western improves on the original, thanks to fiery performances from Russell Crowe and Christian Bale as well as sharp direction from James Mangold.

Directed By: James Mangold. Critics Consensus: Slow West serves as an impressive calling card for first-time writer-director John M.

Directed By: John M. Critics Consensus: Bisbee '17 offers one town's reckoning with its own history as a compelling argument that the mistakes of the past are truly corrected only when they're faced head on.

Directed By: Robert Greene. Critics Consensus: Jeremiah Johnson's deliberate pace demands an investment from the viewer, but it's rewarded with a thoughtful drama anchored by a starring performance from Robert Redford.

Directed By: Sydney Pollack. Critics Consensus: Formally thrilling and narratively daring, Bacurau draws on modern Brazilian sociopolitical concerns to deliver a hard-hitting, genre-blurring drama.

Critics Consensus: Featuring a trio of classic leading men and a rich story captured by a director at the peak of his craft, The Man Who Shot Liberty Valance is one of the finest Westerns ever filmed.

Directed By: John Ford. Critics Consensus: Bold, bloody, and stylistically daring, Django Unchained is another incendiary masterpiece from Quentin Tarantino.

Critics Consensus: Johnny Guitar confidently strides through genre conventions, emerging with a brilliant statement that transcends its period setting -- and left an indelible mark.

Directed By: Nicholas Ray. Critics Consensus: Clint Eastwood's sophomore outing as director sees him back in the saddle as a mysterious stranger, as the result is one of his most memorable Westerns.

Critics Consensus: Wind River lures viewers into a character-driven mystery with smart writing, a strong cast, and a skillfully rendered setting that delivers the bitter chill promised by its title.

Directed By: Taylor Sheridan. Critics Consensus: At once tender and unsentimental, Sweetgrass gracefully captures the beauty and hardships of a dying way of life.

Directed By: George Marshall. Critics Consensus: Sweet Country makes brilliant use of the Australian outback as the setting for a hard-hitting story that satisfies as a character study as well as a sociopolitical statement.

Directed By: Warwick Thornton. Directed By: Delmer Daves. Directed By: John Huston. Critics Consensus: The Ballad of Buster Scruggs avoids anthology pitfalls with a consistent collection tied together by the Coen brothers' signature blend of dark drama and black humor.

Critics Consensus: Giant earns its imposing name with a towering narrative supported by striking cinematography, big ideas, and powerful work from a trio of legendary Hollywood leads.

Directed By: George Stevens. Directed By: Monte Hellman. Critics Consensus: A landmark Sergio Leone spaghetti western masterpiece featuring a classic Morricone score.

Directed By: Howard Hawks. Critics Consensus: Old Yeller is an exemplary coming of age tale, packing an emotional wallop through smart pacing and a keen understanding of the elemental bonding between humanity and their furry best friends.

Directed By: Robert Stevenson. Directed By: Anthony Mann. Critics Consensus: The Searchers is an epic John Wayne Western that introduces dark ambivalence to the genre that remains fashionable today.

Critics Consensus: Canny and coolly confident, My Darling Clementine is a definitive dramatization of the Wyatt Earp legend that shoots from the hip and hits its target in breezy style.

Critics Consensus: As both director and star, Clint Eastwood strips away decades of Hollywood varnish applied to the Wild West, and emerges with a series of harshly eloquent statements about the nature of violence.

Critics Consensus: Girded by strong performances from Jeff Bridges, Matt Damon, and newcomer Hailee Steinfeld, and lifted by some of the Coens' most finely tuned, unaffected work, True Grit is a worthy companion to the Charles Portis book.

Critics Consensus: Hell or High Water offers a solidly crafted, well-acted Western heist thriller that eschews mindless gunplay in favor of confident pacing and full-bodied characters.

Directed By: David Mackenzie. Critics Consensus: Rio Bravo finds director Howard Hawks -- and his stellar ensemble cast -- working at peak performance, and the end result is a towering classic of the Western genre.

Critics Consensus: Typifying the best that the Western genre has to offer, Stagecoach is a rip-roaring adventure given dramatic heft by John Ford's dynamic direction and John Wayne's mesmerizing star turn.

The western genre benefited from this morphine-shot of grubby poetic realism. It is the mother of all buddy movies.

Or should that be the father of all bromances? Paul Newman and Robert Redford play it loose and for big laughs as affable outlaws Butch Cassidy and Sundance in this classic western comedy.

Butch never shot a man. They get the hell out of there, to Bolivia, where robbing banks is easy — so long as you can remember the words in Spanish.

Today, it has weathered splendidly, and we can enjoy it as a movie of its time as much anything else: for its laidback late 60s-ness, with Butch and Sundance a couple of hipsters for whom the worst crime of all would be looking like they are trying too hard.

Some of the biggest laughs are at the expense of the conscientious railroad book-keeper Woodcock, who would rather be blown to smithereens than open the safe — a total square.

Cath Clarke. And why? Because The Searchers is simply the densest, darkest, weirdest, funniest, most incoherent and yet most satisfying western of the 50s.

It is the portrait of an American hero possessed of all the virtues of frontier honour and self-reliance, who is also a flat-out exterminatory racist and white supremacist, a man driven to the brink of insanity by his fear of racial impurity.

And the movie never sits still, piling one bravura sequence upon another — family reunion, Indian murder raid, pitched battles, fraternal fist fights, heartbreaking sadness, all against the forbidding grandeur of Monument Valley and the south-western desert — and never once losing its vicelike grip on the audience.

John Patterson. Director Sam Peckinpah was considered a spendthrift, a loose cannon, and a failure by the time he shot The Wild Bunch in His last feature, Major Dundee, had been an acrimonious experience.

It had been released in a brutally truncated and mutilated form to middling reviews. Offered the screenplay for The Wild Bunch, he tore it apart with a vengeance, retrofitting it to accommodate his own key concerns and themes: men out of time facing obsolescence and death it could easily be called No Country for Old Men ; violence as a ballet of brutality; and corruption as all-encompassing, with every transaction, be it moral, monetary or sexual, deeply stained by betrayal.

And there was to be blood. He also revolutionised film editing, shooting his many, violent action set-pieces with multiple cameras and viewpoints, running the cameras at different speeds, from 60 to frames a second, after seeing what editor Lou Lombardo had achieved with similar effects on earlier projects.

But there it is, routinely counted among the greatest westerns ever made. And rightly so. Leone, together with Dario Argento and Bernardo Bertolucci, initially conceived a western almost entirely made up of references to the classics of the genre — The Iron Horse, The Searchers, Shane and High Noon are just some of the movies plundered and revered in the final three-hour epic.

If that all sounds a little dry to you, then Leone knew enough to cast his movie with icons of the genre, including rising star Charles Bronson in the no-name lead role and Jason Robards as comic relief.

His most daring gambit, however, was to persuade Henry Fonda to play his monstrous killer — railroad enforcer Frank. Legend has it Fonda, preparing for his first evil role, showed up on set wearing a bandito mustache and half rolling his eyes.

And opera? Top 10 action movies. Top 10 comedy movies. Top 10 horror movies. Top 10 sci-fi movies. Top 10 crime movies.

Top 10 arthouse movies. Top 10 family movies. Top 10 war movies. Top 10 teen movies. Top 10 superhero movies. Film blog Westerns. Top 10 westerns.

It's the most all-American of film genres, filled with he-men and black hats. Published on Fri 8 Nov

Fantasyfilm Melodram 8. Silverado - Gutgelaunt Aber es ist und bleibt auch abseits dieser Punkte ein Meisterwerk. Ja Nein. Die Natur Neuseelands diente Beste Spielothek in Holzacker finden idyllische Kulisse und wurde malerisch in dem Film eingefangen. Christina Davis Kriminalfilm Corbucci malt ein Bild von der Welt, das an Pessimismus nicht zu überbieten ist. Endzeitfilm 1. Quentin Tarantinos Filme wurden stilistisch von Mal zu Mal Beste Spielothek in Eisenbartling finden zum Western, bis er mit Django Unchained dann endgültig im Wilden Westen angekommen war und dort einen fulminanten Geniestreich hinlegte. Miller ist die konsequente Dekonstruktion eines Genres, verknüpft mit realpolitischen Auseinandersetzungen, inszeniert in einem bildgewaltigen, dreckigen Schneeszenario. Hotels Insbruck wohl besser ein Film Fan macht so eine Top Western Filme. Tarantino hat mit The Hateful Eight wohl keinen perfekten, dennoch aber einen herrlich skurillen sowie politischen Western geschaffen, der seine Zuschauer allein schon durch seine düstere Grundstimmung in seinen Bann zieht und einmal mehr beweist, dass Quentin Tarantino zu den unberechenbarsten Filmemachern unserer Zeit gehört. Animationsfilm Mit der Zeit verändert sich allerdings das Weltbild von Blocker. Sexploitation-Film 5. Der ist alkoholsüchtig, kann Die Besten Kartenspiele auf einem Auge sehen und ist auch sonst wegen seiner rauen Sitten kein Umgang für ein jähriges Mädchen. Zwei ritten nach Texas - Tierhorrorfilm 3.

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This is not so much how the west was won. Cooper stars as retiring marshall Will Kane, who is about to leave town when he hears that his nemesis, Frank Miller Ian MacDonald , has been reprieved from death row and is arriving on the noon train.

Kane considers leaving with his newly-wedded wife Amy Grace Kelly , but instead decides to stand his ground.

Amy gives him a second ultimatum - she wants him with her on the noon train out - and so the minute countdown begins. Nevertheless, it remains an extraordinarily tense piece of film-making that works perfectly, featuring a suitably solemn Oscar-winning song of the same name by Tex Ritter.

Last but not least - always a sign of a really great movie - it was even remade in space, as Outland. His fickle quill transcribes history, embellishing the truth.

And it is his hyperbole that the film sets out to correct. How the West was Spun would have sufficed. The disparity between fact and fiction runs through the movie.

A cocky young fighter named the Schofield Kid Jaimz Woolvett cannot actually see beyond the end of his revolver. Meanwhile, Munny is tempted out of retirement when he hears that the prostitute has had her eyes scooped out, and her body mutilated.

But the film is most potent when it addresses matters of life and death. Indeed, Ned Morgan Freeman dithers over the trigger even as he has his quarry squarely in his sights, and is unable to fire the fatal bullet.

The Schofield Kid suffers crippling pangs of conscience after his first murder. Robert Altman was nothing if not an iconoclast. One of his greatest talents was to reinforce genre by dismantling and even undermining it.

It was like trying to get an out of focus picture into focus. And yet this barely-audible, filthy-looking movie is a work of towering beauty, eroticism and pain.

The western genre benefited from this morphine-shot of grubby poetic realism. It is the mother of all buddy movies. Or should that be the father of all bromances?

Paul Newman and Robert Redford play it loose and for big laughs as affable outlaws Butch Cassidy and Sundance in this classic western comedy.

Butch never shot a man. They get the hell out of there, to Bolivia, where robbing banks is easy — so long as you can remember the words in Spanish.

Today, it has weathered splendidly, and we can enjoy it as a movie of its time as much anything else: for its laidback late 60s-ness, with Butch and Sundance a couple of hipsters for whom the worst crime of all would be looking like they are trying too hard.

Some of the biggest laughs are at the expense of the conscientious railroad book-keeper Woodcock, who would rather be blown to smithereens than open the safe — a total square.

Cath Clarke. And why? Because The Searchers is simply the densest, darkest, weirdest, funniest, most incoherent and yet most satisfying western of the 50s.

It is the portrait of an American hero possessed of all the virtues of frontier honour and self-reliance, who is also a flat-out exterminatory racist and white supremacist, a man driven to the brink of insanity by his fear of racial impurity.

And the movie never sits still, piling one bravura sequence upon another — family reunion, Indian murder raid, pitched battles, fraternal fist fights, heartbreaking sadness, all against the forbidding grandeur of Monument Valley and the south-western desert — and never once losing its vicelike grip on the audience.

John Patterson. Director Sam Peckinpah was considered a spendthrift, a loose cannon, and a failure by the time he shot The Wild Bunch in His last feature, Major Dundee, had been an acrimonious experience.

It had been released in a brutally truncated and mutilated form to middling reviews. Offered the screenplay for The Wild Bunch, he tore it apart with a vengeance, retrofitting it to accommodate his own key concerns and themes: men out of time facing obsolescence and death it could easily be called No Country for Old Men ; violence as a ballet of brutality; and corruption as all-encompassing, with every transaction, be it moral, monetary or sexual, deeply stained by betrayal.

And there was to be blood. He also revolutionised film editing, shooting his many, violent action set-pieces with multiple cameras and viewpoints, running the cameras at different speeds, from 60 to frames a second, after seeing what editor Lou Lombardo had achieved with similar effects on earlier projects.

But there it is, routinely counted among the greatest westerns ever made. And rightly so. Fargo: Season 3. The Flash: Season 6. Into The Dark: Season 2.

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Cancel Resend Email. Add Article. Western Critics Consensus Western earns the viewer's attention with an unpredictable, patiently told tale that evokes the spirit of the titular genre while adding its own unique touches.

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Top Western Filme - Die Top 3 der besten Westen-Filme aller Zeiten von…

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Top Western Filme Die 10 besten Western-Filme aller Zeiten

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